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Future & lil uzi vert album11/20/2022 Renji is the middle transformation on the way to Eternal Atake’s final form, Lil Uzi Vert. “Prices” matches busy, brooding production with a flow that recalls Luv Is Rage 2’s “Neon Guts” and a baby-talk chorus that desperately needed Playboi Carti running point. “Bust Me” works through trust issues as the vocal alternates between a sloshing, low-register drawl on loan from the classic Keef tapes and his trademark nasally lead. Uzi sings emotional lead at center stage, warning about the ways fame changes people on “Chrome Heart Tags,” a dense Chief Keef production that lets whooping, humming voices carry the main melody while synths and high hats play burble underfoot. A choir creeps up in the middle of “Bigger Than Life” that sticks around for the rest of the section, as Renji delivers the rude-ass secular gospel music Kanye fans missed when Yandhi became Jesus Is King. The middle section scales back Pluto’s hard bars and sparse Brandon Finessin beats in favor of stacks and stacks of human voices. Six songs in, Renji (or “Orenji,” “orange” in Japanese) takes over, and the tone of Atake changes along with the character. He’ll say anything to make a rhyme work, and - here’s where Lil Wayne comes in - there’s a gravity-defying success at the end of most every line: “Yu-Gi-Oh, Yu-Gi-Oh, you wanna duel? / Blue-Eyes White Dragon, no I will not lose.” “Green shirt, bitch, I’m Steve, where is Blue? / … I’m an iPod man, you more like a Zune / … Versace drawers, bitch, you Fruit of the Loom.” If you can yell the same word 15 times in a row and manage to make it an instant quotable, as Uzi does in the third verse of “POP,” you have the juice. It’s bratty, flighty, and funny, a laundry list of romantic capers and brand-name items Uzi knows you can’t afford. There’s a whiff of Future in trap mode filtered through lightning-fast trash talk reminiscent at once of Lil Wayne at his peak, Chicago drill technicians, and Philly spitters like Meek Mill and newcomers half his age. Cuts like “Lo Mein,” “POP,” and “Homecoming” fuse styles from different regions. Baby Pluto is a smart-mouthed street rapper so geeked to get his syllables out that he almost races past the beat. Atake is easily Uzi’s finest work, and if sales go where the projections suggest they’re headed, it’ll also mark his most successful commercial release to date.Įternal Atake is a space opera in three acts, each named after a separate Uzi persona with a unique skill set. After two years of frustrations with Atlantic Records and threats of retirement, Lil Uzi Vert is back this month with Eternal Atake, the sophomore album fans feared would never see the light of day. When he’s away, he’s out improving his craft. If you thought label woes could take him out, you were wrong again. You screwed up betting on him being intimidated by Rich the Kid in their 2018 dispute. Like a Shōnen Jump hero, Uzi always wins in the end, even when the odds seem powerfully stacked against him. The Philly star is short in stature with a massive personality, a shit talker who’s also in touch with his feelings, a sharp dresser with a flair for colorful hair. I won't be very long.When the album’s finished, it leaves you with the feeling all great major label rap projects do, the sense that the competition is off somewhere licking wounds and taking notes.Ī lot of rappers say they love anime, but Lil Uzi Vert is the rare artist who deserves a series of his own. When the main verb is be, we can use the Future Simple tense even if we have a firm plan or decision before speaking.
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